Illuminated Western Detritus 2021 Found Objects, LED Tubes. This work existed as an ephemeral installation, and is comprised of years of desert detritus collecting. Its precarious nature mimics the dangers of our material excess and resource consumption. Read More

LOSING YOUR WINDOW 2021 Wood, found windows, found wood, LED tubes, incandescent bulbs, soil, mum flowers, light organ. Commissioned by Opera Southwest and Chatter ABQ as a set for Lohengrin by Salvatore Sciarrino. This opera focuses on the mental health of the Main Character Elsa from Richard Wagner's Lohengrin. Using this as a prompt to… Read More

SCAFFOLD 2019 Fluorescent Bulbs, PVC Fittings, Wheelbarrow, Shovel, Post-hole Digger 5' x 7' x 10'  All too many buildings in America sit vacant and deteriorating. All the while, new construction is producing more buildings. With this constant construction cycle, scaffolding is a recurring urban sight -- almost an icon -- and is the inspiration for… Read More

Lint Trap 2018 Broken Washing Machine, Cottonwood Branches 16′ x 14′ x 3′ Commissioned by Bernalillo County and the Bachechi Open Space, Lint Trap was a collaboration between Louis Wilcox, Josh Stuyvesant and Myself. Washing machines, in their ubiquity, continue to clean our clothing while polluting our water systems with microfibers and plastics. This work, with…

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Pre-Existing Conditions 2017 Various material Various Sizes Pre-existing Conditions is the result of a collaborative excavation of various illegal dump sites near Albuquerque. Cecilia McKinnon and Lance Ryan McGoldrick have sourced materials for installation, sculptures, and trash readymades from these informal sites, examining cycles of production, consumption, and planned obsolescence. The artists give consideration and…

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Forest Fire 2017 Scrap 2″x 4″ lumber, salvaged fluorescent,  12′ x 12′ x 8 Forest fire was a site-specific commission, done with Meow Wolf for the Life is Beautiful music festival, in Las Vegas, Nevada.  Sculptures from scrap 2x’ lumber charred and back-lit filled the room. Upon entering the smell of the burned wood, and screeching rhythmic…

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Relegation 2017 1940’s Shed from ABQ South Valley, Grow lights, Native Flowers 8′ x 6′ x 8′ Relegation was a temporary public art installation, this project was supported by the City of Albuquerque Public Art Division, the City of Albuquerque’s Special Events Department, the Rail Yards Market and The Harwood Art Center. The project involves a…

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Untitled 2016 reclaimed shed, found metal, fiberglass tubes, rubber liner, light chaser, lights, water 20ft x 40ft x 16ft Untitled was an immersive installation made in collaboration with David Cudney at 5G Gallery in Albuquerque. A shed built in the 1940s was transported into the gallery and activated by lighting, water, and sound elements. During… Read More

Forty One  2016 desks, zip ties, concrete blocks 12ft x 10ft x 8ft Forty One was a large-scale installation made in collaboration with Josh Stuyvesant and commissioned for Albuquerque’s All-Kinds festival.  The piece consists of forty reclaimed school desks piled together on top of a single desk. 15 feet in front of the pile was…

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A Dividing Line 2016 Steel, Wood, Fiberglass Resin, Fabric, Plexiglass, Tin 8′ x 100′ x 6″ A site-specific private commission, took over 8 months to complete. Using discarded fences, plexi and tin panels, this piece is a homage to Mondrian. It is attempting to re-imagine how we divide ourselves.

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Old/Young 2016 foam, cardboard, PVC, steel, plexi-glass, wood, metal, fabric, latex paint 10ft x 15ft x 9ft Old/Young is a permanent interactive environment within Meow Wolf’s immersive attraction, The House of Eternal Return. Visitors to the attraction explore and touch the environment, moving from a house into a fantastical world beyond. Old/Young is encountered through… Read More

Immiscible Polarity  2015 reclaimed fence 200ft x 40ft x 7ft Commissioned by Albuquerque’s Harwood Art Center, Immiscible Polarity was produced as a collaborative effort with The Hand Eye Collective. The piece was mounted on the building’s facade. Over 200 feet of reclaimed fence wrapped around the building to address the relationship of humans and the… Read More

Balance 2015 found wood, plexiglass, fabric, fiberglass resin, lights 16ft x 20ft x 12ft Created for the Harwood Art Center in Albuquerque, Balance was an immersive experience that  attempted to re-create the sensation of the Rio Grande, complete with actual water and sediment from the river.  Mimicking the way that light filters through the tree… Read More

 

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Teeter Totter 2013 OSB roofing beam, metal, foam, fabric, rope light 27ft x 10ft x 3ft In an effort to expand childhood playfulness to adults, the Hand Eye Collective built a massive teeter totter. Commissioned by Emerge Albuquerque, a division of Americans for the Arts Emerging leaders network ; this teeter totter has seen over… Read More

Cabinet of Curiosity 2013 found wood, metal, plexi-glass, fiberglass, found-objects 15ft x 6ft x 13ft Based on the cabinets of curiosities from the 1500s, this piece was made as a container for small treasures. It was created in collaboration with David Cudney who contributed the curiosities inside the cabinet,  including small paintings, a doll assemblage,… Read More

Cumulus Patterns 2013 found wood, televisions, fabric, metal 21ft x 6ft A collaboration with David Cudney Read More

Broken 2012 wood, metal, glass, found objects, candles, lights 3 panels, each 3ft x 6ft x 6in Broken is a large-scale assemblage comprised of three panels. The first panel is illuminated with candlelight, the second with warm white incandescent bulbs and the third with natural day glow L.E.D lights.  The triptych incorporates found objects that… Read More